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富杭臺 - 金石個展 Fu Hang Tai - Jin Shi solo exhibition

主辦人/單位: 谷公館畫廊 Michael Ku Gallery
活動類別: 展覽

首次展演日期: 2014-09-06    結束展演日期: 2014-10-19
詳細時間說明:
9/6(六)~10/19(日),11:00-19:00

活動地點: 谷公館 Michael Ku Gallery
活動地址: 台北市敦化南路一段21號4樓之2

關於展演:

 

富杭臺 Fu Hang Tai
金石 Jin Shi


展覽日期:2014年9月6日(六) 至10月19日(日)
Exhibition Dates:6 September - 19 October, 2014
開幕日期:2014年9月6日(六)  下午三時至六時
Opening Reception:Saturday, 6 September 2014, 3- 6 pm

谷公館很榮幸地宣布金石於台灣的首次個展《富杭臺》。展覽由金石從2013-2014年創作的五組作品組合,包括《富杭臺》,《櫻花小院》,《後巷II》,《無題》,以及《到底有沒有》。五組作品的選材(包含材質的使用與創作的概念)大部分從日常生活裡看似最無價值的廢棄現成物取得,試圖更接近與反映今日現實生活裡的真實面貌,一方面對今日社會的觀察與批判,一方面對物件本身的生命力或今日我們生存的環境提出想像空間。

時間是金石創作語言裡關心的一環,許多作品的來源,無論還繼續使用或已經被人類棄用,都留存時間的痕跡。然而這種時間的遺跡並非一種懷舊情調的追尋,它是自然而然貫穿過去直到今日面貌的構成原素,在時間的發展裡可以看見人以及人所處環境背景社會的狀態。展覽的貫穿線索不從某一條單一清晰的主軸出發,而是以較接近自然真實的態度,將五組作品並存,如同人與社會裡的諸多面貌的共生。

Michael Ku Gallery is pleased to announce Fu Hang Tai, Jin Shi’s first solo exhibition in Taiwan. The show is composed of five sets of works made by the artist between 2013 and 2014, including Fu Hang Tai, Cherry Blossom Backyard, Backstreet II, Untitled and Is it true, or not? II. Most of the materials (including the utilization of materials and the artistic concepts) chosen for the five sets are drawn from abandoned found objects in our daily life which seem to have the least value, in an attempt to better approach and reflect the reality of our real life today. On the one hand, it is about observation and criticism over the society today. On the other hand, it implies the vitality in the objects themselves or providing a space of imagination regarding the environment we live in. Time is part of the concern of Jin Shi’s artistic language. Traces of time remain at the origins of many of his works, whether the raw materials are still being used or abandoned. However, such traces of time are not about seeking some nostalgic mood. Rather, they are the constituents which run naturally through the past and the present to form what we see today. The progress of time can reflect the states of people and their social contexts. The thread of the show does not start from a single clear axis but, based on an attitude that is closer to nature and reality, tends to juxtapose the five sets of works, just like the coexistence of diverse aspects of people and society.

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