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第十二屆台新藝術獎年度入選五作品揭曉!


台灣當代藝術大獎「台新藝術獎」,首度全程不分類評選,同時提高獎項得主及總獎額,五項年度入選作品揭曉。分別是:


李銘宸【《Dear All》─2013新人新視野-戲劇篇Ⅱ】

何曉玫MEIMAGE舞團【親愛的】

高俊宏【廢墟影像晶體計畫:十個場景】

動見体劇團【凱吉一歲 】

蘇育賢【花山牆】

(依入選者筆劃順序排列)

五項入選作品由九位複選委員,包括提名觀察團代表:林于竝、陳泰松,特聘委員:邱坤良、陳郁秀、阮慶岳、陳昌仁,以及台新藝術基金會董事代表:林曼麗、吳靜吉、石瑞仁,經過長達九小時會議,從十五件初選入圍名單中,重重討論,四輪投票後,方產生五件年度入選作品。

第12屆台新藝術獎是獎項自2002年開辦以來,進行最大變革的一年。以往區分為「表演藝術大獎」、「視覺藝術大獎」、「評審特別獎」三大獎項,今年開始不分類評選,以「時代精神」、「人文關注」與「未來性」之評選方向,跨越分類評比與給獎的限制,以容納藝術創作更大的可能性。

在新的評選方向下,李銘宸的《Dear All》以及何曉玫《親愛的》二件作品分別以創造出獨特的劇場風格與新的舞蹈身體勝出;動見体劇團《凱吉一歲 》結構出音樂劇場跨域探索的新高度;高俊宏《廢墟影像晶體計畫:十個場景》以在地歷史縱深的視角展現了感知強度與豐富的美學面向;蘇育賢《花山牆》則以精湛手法將民間祭儀轉化為冨含政治社會多層次隱喻與醒思的藝術作品。

以五項年度入選作品為主,同時介紹十五組入圍作品的「第十二屆台新藝術獎大展」,將首度與北師美術館合作,於5月17日起至7月13日隆重展出。6月中旬,由國內外專業人士組成的決選團,將從這五項入選作品中,評選出大獎得主,獨得新台幣一百五十萬元獎金,其他四組為「年度入選獎」,各獲五十萬元獎金及獎座,總獎額為三百五十萬元整。大獎得主將於6月21日頒獎典禮現場揭曉。

 

入選理由 Reasons for being Shortlisted

李銘宸《Dear All》─2013新人新視野-戲劇篇Ⅱ /李銘宸

LI Ming-Chen《Dear All》—2013 Young Stars New Vision-Theater II / LI Ming-Chen

以垃圾為物件,搬演我們的日常生活,演員在舞台上,若有似無的表演,讓意象不斷翻轉,隨著劇情歇斯底里的發展,舞台上的垃圾也不斷增生,反應出我們彷彿被不斷廢棄化的人生。李銘宸玩弄舞台的記號,創造出獨特的劇場風格,為台灣表演藝術開創嶄新的形式,表達對環境和人文的社會關懷。

Using garbage as objects, the play depicts our daily life. The seemingly non-existing acting by performers on stage constantly reverses the images; as the storyline further expands into absurdity, amount of garbage on stage also increases, reflecting our life that is continuously turning into waste. Li plays with symbols of stage to create a unique style of theatre, exploring new forms for Taiwan’s performing art and expressing social concerns for the environment and humanities. 


花山牆 / 蘇育賢

Hua-Shan-Qiang / SU Yu-Hsien

在跨界的媒介與跨域的人文思考,蘇育賢游移於真實世界與想像人物之間的精湛手法,將逐漸庸俗化的台灣民間祭儀和喪禮轉化為藝術語言的創新,並與古雅台語共構成一場冥界之旅。花山牆是藉由錄像、裝置與民間紙紮工藝,在陰陽兩界的對照之下,揭示了台灣被殖民的歷史、政治與文化現況全新的觀照面相,並為台灣當代藝術敞開一個與全球藝術對話的窗口。

Su’s masterful skills interweave real-world and imaginary characters, turning the increasingly vulgar ceremonies for funerals in Taiwan into an innovation of artistic language through interdisciplinary media and cultural thinking, which co-construct a journey to the underworld with classical Taiwanese language. By comparing the realms of the living and the dead, Hua-Shan-Qiang gives a new perspective of the history, politics and culture of the colonized Taiwan with videos, installations, and folk paper crafts, and opens up a window of dialogue with global arts for Taiwan’s contemporary art.


廢墟影像晶體計畫:十個場景 / 高俊宏

The Ruin Image Crystal Project: 10 Scenes / KAO Jun-Honn

高俊宏以在地歷史縱深的視角展開《廢墟 晶體影像計畫》,意義在於親身駐點的營居,並依據該處曾有的舊照片為摹本。在牆上進行素描,或安排人物的演出,是現代台灣從殖民時期到後殖民的轉印浮顯,在攝影影像與文字的互文存證下,展現其間遭忘卻、被扭曲的遺跡事物。此計劃邀請觀者去記取、探訪十個地點的歷史反思。在本屆國美館「亞洲藝術雙年展」的展出中,藝術家以live art的親身演出,橫跨紀錄、行動、訪談、劇演與攝影,從個人的體悟到與他人相聚的社會實踐,展現了感知強度與這個計畫豐富的美學面向。

KAO Jun-Honn develops “The Ruin Image Crystal Project: 10 Scenes” from a profound local historic perspective with significant depth and breadth; the significance lies in the camps he dwelled in based on old photos of the sites. The sketches on the walls and arranged performances onsite are transcribed manifestation of modern Taiwan’s transition from colonial period to post-colonial era; with inter-witnessing of photographic images and texts, the twisted and forgotten heritages are displayed. The exhibition invites viewers to access and explore historic reflections of the ten sites. At this year’s “Asian Art Biennial”, KAO Jun-Honn’s live art combined various forms of art, such as records, actions, interviews, theatrical plays, and photographs. From personal realization to joint social practice with others, all aspects display the perceptive strengths as well as the rich aesthetic dimensions of this project.


親愛的 / 何曉玫MEIMAGE舞團

My Dear / MEIMAGE Dance by HO Hsiao-Mei

長久以來對於「人」與「偶」的辯證,何曉玫發展出其獨特的肢體語彙。利用風衣與肢體的變化,創造出快速流轉的情境,及在這當中瞬息萬變的人際關係。歪斜的水平面改變舞者與地板的關係,也改變情感的重力與平衡。舞者時而飛翔般的奔跑,時而懼怕墜落般的攀附。女性舞者的上半身與男性舞者下半身合體,拼貼出一個詭異扭曲的「自我像」。何曉玫擅長利用超現實主義式的意象,創造舞台的驚奇,表面上浪漫的人際關係,卻隱藏親密關係當中最複雜的糾葛。何曉玫所表現的,並非當今台灣當代的表象情感,而是對於台灣人深層潛意識裡情緒經驗的再現。與剪紙藝術家吳耿禎跨界合作,以一個曲折的地平線做為舞台。此舞作運用服裝、光影、剪紙藝術,將立體的舞台空間帶來強烈的視覺張力,並創造出新的舞蹈身體。

HO Hsiao-Mei has developed her unique body vocabulary over her long dialectics on “humans” and “puppets” over time. Through changes of trench coats and the human body, she creates the rapidly transitioning context, and the constantly changing relationships within. The slanted surface changes the relationship between the dancers and the floor, as well as the emotional gravity and balance. Dancers run as if flying at times, and cling on as if afraid of falling off. The strange combination of a female body and male legs put together a strange and twisted “self-portrait”. Ho’s strength lies in her use of surrealist images to create surprising stage effects; the most complicated entanglement of intimate relationship is hidden under the romantic ties on surface. Ho is not trying to depict the superficial emotions in today’s Taiwan; rather, she wants to represent the emotional experience deep inside Taiwanese people’s sub-consciousness. A twisted horizon is used as the main stage in this interdisciplinary cooperation with paper-cutting artist Jam Wu. The dance performance uses costumes, light and shades, and paper-cutting art to bring strong visual tensions to the three-dimensional space of the stage, creating brand new dancing bodies. 


凱吉一歲 / 動見体劇團

Dear John / M.O.V.E. Theatre

將約翰凱吉的作曲手法、藝術理念發揚光大。林桂如不只拆了鋼琴、更讓整個表演空間成為共鳴體,將琴鎚連到手上成為樂器的延伸,以棉線連結琴弦與舞者董怡芬的身體,身體與鋼琴相互越界,創造音樂與舞蹈之間的新關係。加上王仲堃的聲音裝置,讓動態雕塑、電音與琴音共振,從鋼琴樂器到空間裝置,演奏者與舞者的身體,創造出全新的藝術迴路。這個作品並非單純的跨域合作,而是藉由對於既有典範的徹底質疑,探索藝術新的地平。

This is a magnificent elaboration on John Cage’s compositional methods and artistic beliefs. Not only has LIN Kuei-Ju taken apart the piano, she has also transformed the entire space where she had her performance into a resonator. Hammerheads are connected to her hands, and the keys are connected to choreographer TUNG I-Fen’s body over linen threads. The body and piano cross over each other’s border, forging a new relationship between music and dance. Combined with WANG Chung-Kun’s sound installation, which facilitates the “musical” resonance by the kinetic sculpture, electronic sounds, and the piano. The piano instrument, the spatial installation, the body of the musician, and the body of the dancer altogether created a brand new artistic circuit. This is not a simple piece of interdisciplinary collaboration; this is a project that confronts all existing paradigms and explores new horizons of art. 


第十二屆台新藝術獎入選作品:李銘宸【李銘宸《Dear All》─2013新人新視野-戲劇篇Ⅱ】

第十二屆台新藝術獎入選作品:李銘宸【李銘宸《Dear All》─2013新人新視野-戲劇篇Ⅱ】

 

第十二屆台新藝術獎入選作品:何曉玫MEIMAGE舞團【親愛的】

第十二屆台新藝術獎入選作品:何曉玫MEIMAGE舞團【親愛的】

 

高俊宏《廢墟影像晶體計畫:十個場景》

第十二屆台新藝術獎入選作品:高俊宏《廢墟影像晶體計畫:十個場景》

 

動見体-《凱吉一歲》

第十二屆台新藝術獎入選作品:動見体-《凱吉一歲》

 

第十二屆台新藝術獎入選作品:蘇育賢【花山牆】

第十二屆台新藝術獎入選作品:蘇育賢【花山牆】